The vapors of Delphi

Pythia (oracle of Apollo)

When the ancient Greeks and Romans had a question of great import, they traveled to the navel (omphalos) of the world, which they believed to be at Delphi, on the steep slopes of Mount Parnassus in Greece (see map below).

They climbed up the Sacred Way, past about 3,000 statues and various temples and shrines, until they reached the Temple of Apollo. (This post is apropos of our discussion about Apollo the other day.)

Mount Parnassus was Apollo’s mountain — the mountain of wisdom and music, the place where Apollo had given Orpheus his lyre and taught him to play it, a place that other artistic places (such as Montparnasse in Paris) still try to evoke today.

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Because Apollo could see the future, he would have the answer to any question, here at his temple.

And he gave his answer through a woman, the Pythia (pictured above). She would sit above a chasm in the rock through which the god sent vapors (pneuma) that put the woman in a trance. Thus possessed, the Pythia would babble, and priests were at hand to transcribe her words into beautiful hexameter which they gave to the individual who had asked a question.

The answer was coherent syntactically but not necessarily substantively. You recall that both King Croesus and Socrates, for example, had received answers from the Pythia that were ambiguous at best (disastrously so, in Croesus’ case).

But nobody could dispute the power of the god, or rather of his vapors.

And that remains true even today. The vapors are real, it turns out. Mount Parnassus sits atop several very active faults. The earth below constantly rubs and often quakes, grinding the rock until it emits … vapors.

Which vapors? Methane and ethane, apparently. Even the spring water at the site contains ethylene.

In short, even the scientists who go there today, if they hang out there long enough, if they inhale and ingest, may enter the trance of the Pythia and receive the ambiguous wisdom of Apollo.

And so mythos and logos meet; and ‘Socrates’, Dionysus and Apollo become one.

The arrogance of Socrates: Apollo made me!

None wiser, says Apollo

None wiser, says Apollo

So we opened this thread on Socrates and his relevance to us today by showing the heroically positive, then nuanced that with some more ambiguous observations. We must now add (before we eventually get to the heroic again) a few more. First: he was arrogant.

Yes, an arrogant S.O.B. I mean, let’s take his personal “creation myth”, ie the story that he would later use at his trial (to which we will get) as his raison d’ĂȘtre.

There are two versions of this story, one from each of the only two students whose writings we rely on to know anything at all about Socrates.

Xenophon, the less famous of the two, says that Socrates told the Athenian jury that he had sent a student/apprentice to Apollo’s oracle at Delphi, where the oracle opined that

no man was more free than I, or more just, or more prudent.

Ahem. Lest that sound a bit, you know, over-the-top, Socrates added that

Apollo did not compare me to a god [although he did] judge that I far excelled the rest of mankind.

So there, members of the jury. That’s why I have been going around humiliating and exposing you, disabusing you of your impression that you were free, undermining your self-confidence while tooting the horn of the Spartan enemy.

The more famous of the two students, Plato, wrote later and probably realized that it would be wise to tone this down a bit. Here Socrates ‘merely’ told the jury that the oracle told him that

there was no one wiser.

This is still rather cocky, but now with a twist. The twist is that Socrates is now on a divine mission. He must find out whether the oracle is right, whether anybody out there is wiser after all. So, you see, he had to make everybody look like a fool just to do justice to Apollo.

His ‘biographer’ I.F. Stone calls this one huge “ego-trip”, possibly the biggest in world history. It just so happens that I have a soft spot for huge egos, provided that they are intelligent and witty and not my editors. So on The Hannibal Blog, this is not an attack per se. It’s just, you know, ‘color’. We need to know who we’re dealing with.

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