Backlash moment

I’ve been flying a lot this week, on a route that GoGo now covers (see map). Each time at the gate, a male-female pair of hip, young marketers (the woman in each case being smarter, hipper, attractive and Indian) offered me and the other lop-sided laptop-bag-toting types in the boarding queue a promotion to get connected via WiFi on the flight.

My reaction progressed in two steps:

Step 1) This is great! I will get on the flight, log on, snap a photo or two of the airplane aisle and then blog it right from my seat so that you all can see what a connected urban nomad I am. En passant, I would be corroborating my own thesis in my special report in The Economist on that topic (ie, “nomadism”).

Step 2) What utter nonsense! Have you lost it, Andreas? This is the last redoubt you have for reading. For the next few hours it is you and your biography of Meriwether Lewis, which is 500 pages and must be read and absorbed for you to make progress in one particular chapter of your own book. For once, no kids tugging on you, no phone ringing, no email alerts. Instead, deep, linear immersion. And you are thinking of giving that up just because… you can?

So you had no posts from me while I was in the air. And I’m guessing that you’re no worse off for it.

Incidentally, I noticed that the other lop-sided laptop-bag-toting types also passed on this opportunity for uninterrupted mid-air connectivity, after the same moment of initial temptation. Have we reached the point of backlash? A civilizing counter-trend?


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Pyrrhic victories

Heard about my victory?

Heard about my victory?

You’ve heard of Pyrrhic Victories, which are defeats disguised as triumphs–in other words, Kipling-esque impostors of the sort that I will be describing in my book. But do you know why they are called that?

It’s thanks to Pyrrhus, who is well worth five minutes of your time.

Pyrrhus was the ancient world’s equivalent of a dumb jock whom all the girls loved, who bashed the equivalent of Budweiser cans on his forehead and beat up the enemy football team but never quite figured it all out.

Put differently, he was the King of Epirus in northern Greece, and wanted to be like Alexander the Great, who died a couple of generations before him. (Pyrrhus in turn died a generation before Hannibal was born.) He wanted to be a hero and to conquer. Basically, that’s all there was to it. And he was great at it–brave, courageous, strong. Plutarch says that once, when he was thought dead on the battlefield, he just got up and cleft an enemy soldier in two pieces with one blow of his sword.

One day, an opportunity came up: Tarentum, a Greek city in southern Italy that was fighting the Romans, invited Pyrrhus to come over and fight Rome on their behalf. Pyrrhus was thrilled. As he was preparing to leave for Italy with his army and his war elephants (sounds a lot like Hannibal, doesn’t it?), he had a conversation with the wise Cineas. This is one of my favorite exchanges in antiquity. Here is Plutarch’s version:

Cineas: If we beat the Romans, what should we do next?

Pyrrhus: Why, then we’ll be masters of all Italy.

Cineas: “And having subdued Italy, what shall we do next?”

Pyrrhus: “Sicily.”

Cineas: “But will the possession of Sicily put an end to the war?”

Pyrrhus: “We will use that as the forerunners of greater things” such as Libya and Carthage. Would anybody resist us after that?

Cineas: “None,” for then we can take Macedon and even all of Greece. “And when all these are in our power what shall we do then?”

Pyrrhus: “We will live at our ease, my dear friend, and drink all day, and divert ourselves with pleasant conversation.”

Cineas: “And what hinders us now, sir,” from doing exactly that?

At this Pyrrhus was nonplussed. But left for Italy anyway!

Next, he had his Pyrrhic victories. He beat the Romans, but each time he lost so many men and gained so little that once, when congratulated on yet another victory, he sighed: “Another such victory over the Romans and we are undone.”

Eventually, as he was wont, he got distracted. There was another opportunity for glory in Sicily, so he sailed around a bit there and bashed a few heads. You can see on that map what that trip (dare I say his life?) looked like.

Courtesy PIOM, via Wikimedia Commons

Courtesy PIOM, via Wikimedia Commons

In any event, Sicily also failed to make him happy, so eventually he made his way back to Greece.

Once home, he kept fighting wars here and there. I mean, it’s a hard habit to kick! His end came as it had to come (irony alert): He was in the middle of some vicious street fighting in a Greek city, when an old woman on a rooftop dropped a tile, which landed on his heroic pate and knocked him dead. So it goes, as Vonnegut would say.

Have you ever been a Pyrrhus in your life? Do you know any Pyrrhuses?
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The suffering of Frida Kahlo

Frida Kahlo and Diego Rivera. Photograph by Carl Van Vechten at Wikimedia Commons

Kahlo and Rivera. Photo by Carl Van Vechten, via Wikimedia Commons

I popped into the Frida Kahlo exhibition currently at the San Francisco MOMA. Mainly, to see her piercing paintings–and boy, do they pierce–but also, at least in part, as research for my book.

A friend of ours, Erika Lessey Chen, had suggested Kahlo to me a year ago as a possible life-story to look into. I had told Erika that I’m interested in people whose success (triumph) somehow turned into failure (disaster), or whose failure somehow turned into success, à la Kipling’s impostors.

Does Kahlo fit my story-line? Mostly, I’m looking at characters such as Hannibal’s enemy and nemesis Scipio to illustrate how disaster at the right moment in a life can liberate a person–set free his or her imagination and creativity, and thus initiate a much bigger triumph in the future. People such as J.K. Rowling and Steve Jobs.

But disaster can have other effects, of course. There is the strength that comes from overcoming it. I’ve mentioned Joe Biden and Demosthenes in that context. Among the main characters in my book, the person who would personify that is Fabius, the old Roman senator who was the only one not to despair after Hannibal’s crushing victories.

And Kahlo? As I walked through the exhibition and looked at her absolutely harrowing self-portraits, I realized that she had done something else again with her own disasters: She had made the disasters themselves the success.

Here she was on a hospital bed in Detroit, her body writhing and bleeding, with a uterus and a fetus torn out of her. She painted it after yet another miscarriage. The people in the exhibition became very quiet in front of that one.

There she was bound in a steel corset with a broken spinal column, her entire body pierced with nails. In this painting, she is all pain and frustrated sexual desire.

Over there she is sitting in a double-self-portrait, after her marriage to Diego Rivera had failed. She is holding hands with herself, and simultaneously tries and fails to stop the bleeding of her heart. (All these paintings seem to be copyrighted, so I don’t want to show them here.)

What were her disasters? The first was polio, which she caught at age six, and which left her right leg atrophied. The second was a bus accident when she was eighteen. She broke her spine, her pelvis, and lots of other bones, and an iron handrail pierced her uterus, leaving her infertile. The third, arguably, was falling in love with Diego Rivera, whom she adored but who was never faithful to her.

In short: pain, infertility, loneliness. And to deal with it, she painted. And the painting made her into the most “successful” Mexican artist ever.


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Hannibal’s life in eight minutes

Well-made YouTube video (meaning: hewing closely to Polybius and Livy) about Hannibal’s life, by Wolfshead:

Interesting moment of interpretation: why Hannibal, in this version, chose not to take Rome itself, which was the single biggest decision of his life. “We are not animals,” he says here.

(Also: did I detect stirrups on the cavalry? Maybe not. There weren’t any in those days.)


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